Wednesday, June 10, 2009

Chloe and Lucas have nothing on my inconsistancy.

It occurred to me today that me writing a book is about as productive as Lucas and Chloe's relationship on Days of Our Lives.

So, upon coming to that conclusion, I've decided not to write one just yet. The Problem with Miranda is completely being scrapped. For now. In the meantime, I will concentrate on writing small scenes and short stories. Practice, if you will, for bigger (and hopefully better) things to come. The problem with that is that I have no utter idea what to write about. And while that makes for an exciting and open ended list of possibilities; it also makes for... well.. a daunting and open ended list of possibilities.

How do I choose?

For now, I offer up the beginning of a vampire story I started writing some years ago. Maybe I will pick it back up.

I call it: Hier, Aujourd'hui, et Demain, Which means Yesterday, Today, and Tomorrow.


Hier, Aujourd'hui, et Demain
by Susan Boesche

From the street the path looked over grown with wisteria, the lavender blooms hanging and closed awaiting a sun he'd not seen in centuries, save one ill fated attempt at an end that held no merit in his mind. Ivy wound it's way up the garden gate and along the cast iron arch way, clinging to the granite wall as though it were all it had. Most would not think to try the gate to see if it would open; most may not think to look upon it at all, tucked as it was along the side yard of an over grown mansion that no light had shone in for going on twenty years.

It was the way he preferred, of course. The way it enveloped the small guest house in quiet solitude, the way no street light bled through the thick ivy that hid the cracks in the wall. He could stand in the yard among the decaying benches and falling statues and know no mortal eyes could see him. Sometimes he stood for hours it seemed; stood or sat, book in lap as he watched cats wander along the top of the high wall, winding their way along the doomed decoration that seemed to jut every 10 feet or so along their path before they met a thick sloping branch and ascended into the dome of trees above his head. The decoration he knew to be the mockery of a night-blooming cereus, delicately carved and carefully fashioned, for he could remember when the wall had been erected. Now, to a passerby, they seemed the work of no craftsman, covered in ivy the way they were -- hidden in the branches, or laying fallen and dank and still in the garden beyond.

He sometimes felt a sadness that those who glanced upon them would never enjoy them the way he seemed to, and often in moments that were scarcely fleeting, he would think to swipe the weather-beaten granite free of the ivy, and let them stand proud upon Prytania Street the way they had long ago. He imagined he could pick them up from the damp ground, wipe them free of the smudge and bugs, and place them back up on their gallery. He could fix it all up; the house, the lot -- a small splendor in the jaded eyes of the passing world until he left it again and made to never return for as long as he were allowed to remain on the Earth.

And again, this garden would make to be overgrown, the way he loved, the way his lover had loved; and over the years, trees would grow old and fall upon the guest house. Children would run past it's yard when walking home from school, trying not to peek through the haunted holes the branches would cause in the damaged gate. It would be condemned, and eventually tore to the ground with all witnessing parties never knowing it had once been the futile love of a creature that would outlive them all. And there was no bitterness at this thought.

But then, these were the absent and fleeting thoughts of an immortal mind. A mind that lay fashioned in the pages of mortal-written books more often then not, as of late. Silent in Solitude, awaiting the night he would come out into the world again, and look upon it's cites with renewed interest. Tonight was not this night, and nor would tomorrow be. Perhaps he would stay for a year, for two, he knew not. He'd disappeared some years before, and if his lover had looked upon him in his little lair, he would never know, for their connection was too direct and knew no glimmer. Had others came he paid no attention, willing them away, he was sure, by his silence alone.

His was an old soul, even as he'd been a young man upon his careless berth into immortality. He'd been delivered to the coming ages, spoiled by damnation in his own mind and left to search for answers that were no ones to give or to know. In time, he'd learned that the only answers he were owed were the ones that he alone could give, and in this knowledge he now took comfort. For there was no one to disappoint him now, and no one any longer, for him to disappoint, save himself.

It was the strongly scented breeze that seemed to bring the marble statue to life where he stood, staring at the pale blooms of the Jessamine that filled every corner of his little alcove. It'd been why he chose it - this haven from the world that churned beyond it's wall - and it was why he loved it so, for these were flowers that bloomed at night, the way they did in his lovers own overgrown garden. He thought of them vaguely then, his eyes raising, locking against those of a decaying statue that seemed to take on a life of it's own in a silver sliver of moonlight that bled through the limbs of the trees from just above. He could remember his amazement to look upon a carved figure for the first time, the way his buttons, or a licking flame could hold his attention for much to longer then one would deem possible. His lover had made to laugh at him. He had thought her easily amused even then, and took no shame in his early amazement. If only all could see with these eyes, he mused, what wonders would beseech them.

He turned at this thought, a seemingly delicate hand raising to brush back a burgundy lock of curling hair. He wore it mostly pulled back, but ever was there a piece in front that seemed to rebel against his wishes, for it'd been shorter then the rest upon his making. It bothered him no more to tuck it back. It was habit. It was constant. It would never change the way that he would never outwardly change, and no mind was paid to it as his eyes grazed over the Angels Trumpet, and the Fleur d'Amour that lingered near the ruined pond near the center of his garden. To this, he made his way, stepping carefully over small fits of blooming plants and turned over pots until he could look down into the swampy black water.

And there he stood in reflection, a monster in the guise of a man. Stephan Roux. The Beautiful One with the curling red hair. Unmerciful Death with impossibly green eyes, standing in tailored suit pants of black wool, and an elegant buttoned shirt of off ivory silk. It's sleeves were plentiful, their bottoms covering his knuckles, almost hiding the green jeweled ring he wore on his right fore finger, reminiscent of the fashions of olde, in a time he'd been both innocent and broken and picked up, only to be put back down into the immortal grasp of Nights cool touch.

He was everlasting, a thriving star under the cloak of midnight, and never did he hunger to belong anywhere else.

Tuesday, April 21, 2009

Poetry blog!

This used to be a poem, but I decided to make a seperate blog for those.

Jane Austen, I am not. Yoda? Maybe.

I wrote my first five pages. It's touch and go at this point. There are things I like about it and things I don't. It's a bit awkward. I am thinking it will do me some good to do some more reading. See how other people structure their chapters, how they start, etc.

I also think I need to just write and just let it go and not worry about how much it sucks. I usually have to write for a bit to get my flow going. But once I get going, I am good to go for hours. So I might pump out a completely shit first chapter or two, and then the story finally takes on a life of it's own and levels off. Then, when I HAVE that groove, I can go back and redo the beginning.

For all I know, doing this might change the story completely. I might decide to change plot or focus on someone completely different or change my writing perspective entirely. It's kind of fun and aggrivating at the same time.

Speaking of writing perspective: Right now I am focusing on writing in Limited Third, but I am wondering if (though I am loathed to do so) I should switch to First Person. Maybe I'll write two versions. One one way, one the other. Or hell, I'll write several different versions and add in Second Person, and Omniscient.

Actually, I tend to usually write in Omniscient. Maybe I should just stick with what I know. It worked for Jane Austen. Not that I am anything like Jane Austen. I just like knowing what everyone is thinking. And it gives me the option to ramble, which thinking about it can be either good or bad. Truly, I seem to get most of my good stuff from the ramble. On the other side of that, I'm not too sure if others can follow my weird trains of thought.

Oh well. I'm writing it for me. As long as I can understand it, good. if I want to send it off when I'm done, I'll try and reel it in.

Wednesday, April 15, 2009

The Chris Brown of Authors

The first crucial sentences in my Novel of Awesomeness:

"The problem with Miranda is that she’s not talking to me right now, so I have nothing to bloody write. This is typical as my creativity usually constipates itself behind simple and trivial ideas. WOO! YAY! Go me! Writers block – made worse by the ten o’ clock news."

Stupid news.

On that note, I learned that people protesting wasteful spending bought truck loads of tea bags to sit on the side of the street. That might not amuse you, whoever you are reading this --- but it amuses me.

That's not saying much though, because a lot amuses me. You're reading the blog of someone that has seen the movie Napoleon Dynamite over 50 times. And yes, I laugh at all the jokes like it's the first time I've seen it. I probably always will.

Anyway. Writers block; stalling my progress one road block at a time. Though to be honest, trying to write the first sentence of a book with the TV on (and with my attention span) is probably a mega-fail to begin with. Or maybe I am putting too much weight on the first sentence's shoulders. If it sucks in the long run, I can change it. Why stress the sentence out? What kind of shitty abusive wannabe author am I?

I'm the Chris Brown of authors.

The Problem With Susan

So, I'm supposed to be writing a book. Nothing major; just one of those things to do on my Bucket List. I don't have delusions of greatness. I don't expect to be the next JK Rowling. Just for fun. To see if I can actually do it. I like to think of myself as a creative person. I'm capable, but lazy... and those two things combined are a son of a bitch. I dabble in a lot of everything and have mastered nothing. I don't want to say I lose interest.. I just get interested in other things too.

I know. I suck. Complicated and all that.

The Problem With Miranda started a long time ago as an idea for a story I thought to write with my friend. We didn't write it. In fact, I never even mentioned the idea because I was having so much fun writing the entire story in my head. The problem with that is that now, years later? I can't remember it. So I'm starting from square one, with the basic idea in place, but none of the particulars planned out.

I should call it The Problem with Susan. In fact, that's the name of this post; the first of probably many in my writing journal.

And here begins the first of many To do lists I probably won't complete in a timely manner.


THE LIST

One: Brush up on my grammar. I know the basics. Too, to, two. Than/then. They're, their, there. I got that. Semicolons? What? When? Who? Look it up. I hate you semicolons. It's a new development. Considering I've used some already in this post, I can wager that their presense is probably wrong. I tried. We'll see how it goes.

Two: Name the main characters for fucks sake. You can at least do that much in the cloud of laziness you lounge in. It's not hard. Miranda, there's one. Good. Now a last name. It's not rocket science. Done.

Three: To outline, or not to outline. That is the question. Eh, I say screw it. Have a basic idea, but don't be scared to go off on a tangent. We're not writing for Queen Elizabeth. But just in case, maybe I'll throw in a Corgi in her honor. It will wear pearls. We'll name it Mum. Done.